Thomas Rommel, Mark Schreiber, eds.
Mapping Uncertain Territories – Space and Place in Contemporary Theatre and Drama
Trier: Wissenschaftlicher Verlag Trier, 2006.
ISBN 3-88476-826-3, 216 S., kt., EUR 23,00 (2006)
The volume contains 15 papers given on the occasion of the fourteenth annual conference of CDE at the University of Bremen in 2005.
- Mark Schreiber: Introduction
- Aleks Sierz: Alternative or Mainstream? London Fringe Theatre in Image and Reality
- Michael Raab: The West End – an Increasingly Marginal Place?
- Una Chaudhuri: Hell in the Heartland: Mapping Post-Abu Ghraib America
in Sam Shepard’s The God of Hell - Kathleen Starck: Current Global Conflict and the Invasion of the Private in
The Pull of Negative Gravity and When the Bulbul Stopped Singing - Graham D. White: Compelled to Appear: The Manifestation of Physical Space Before the Tribunal
- Ursula Canton: Guantanamo: Documenting a Real Space?
- Susan Blattès and Betrand Koszul: From Page to Stage: Construction of Space in Sarah Kane’s 4.48 Psychosis
- Christina Wald: „What discoveries do we bring back from that alien terrain?“ The Spatialisation of Trauma and the Exploration of the
Paedophile’s Mind in Bryony Lavery’s Frozen - Alyce von Rothkirch: „Art can save culture:“ Welsh Stagings of Place
in Selected Works by Eddie Ladd and Ed Thomas - Donald Pulford: Staging Past and Present Simultaneously: Andrew Bovell’s Holy Day (The Red Sea)
- Daniel Meyer-Dinkgräfe: The Space of Consciousness: New Possibilities
for Contemporary Theatre - Terry L. Price: Shifting Place
- Neal Harvey and Joanne Tompkins: Virtual Reality and Negotiating Problems of Real Theatre Space
- Reade W. Dornan: Screen to Stage: Positioning the Subject in Murakami’s The Elephant Vanishes
- Michelene Wandor: A Dramatic Writing Workshop: Mapping the Territories
form Imagination to Page to Stage and Back Again