Bernhard Reitz, ed.
Drama and Reality
Wissenschaftlicher Verlag Trier, 1996.
222 pp. ISBN 3-88476-201- X. EUR 20,50
The volume contains the 18 papers given on the occasion of the third CDE conference held at the University of Dresden in 1995.
- Howard BRENTON: „With Gardzienice“
- Christopher INNES: „The End of History-and After: The Politics of Drama Today“
- Tobias DÖRING: „The Real Inspector Freud: Kim Morrissey, Terry Johnson, and the Drama of Hysteria“
- Elizabeth SAKELLARIDOU: „Hyper-/ Sur-/Realism and the Postmodern Stage“
- Jochen ACHILLES: „Dermot Bolger’s Drama and the Reality of Europe“
- Paul GOETSCH: „Questioning Liberal Optimism: Athol Fugard’s Playland„
- Irene NITZL: „Coping with Nigerian Language Problems in Literature: The Transistor Radio by Ken Saro-Wiwa“
- Uma NARAIN: ‚Theater of the Vietnam War: Reality Truer Than Experiential Fact“
- Peter Paul SCHNIERER: „The Theatre of War: English Drama and the Bosnian Conflict“
- Ute BERNS: „Political Drama and the Micropolitics of Language: Institutional Power and Individual Perspectives Creating Dramatic Realities“
- Jale ABDOL LAZAHDEH: „Departures from Realism: Contemporary Feminist Theatre and the Power of Surreal Effects“
- Werner HUBER/Martin MIDDEKE: „Biography in Contemporary Drama“
- Isolde NEUBERT: „The Doorman of the Century is a Transient Phenomenon: The Symbolism of Dancer in Howard Barker’s Hated Nightfall„
- Guy STERN: „Romantic vs. Postmodern Reality: An Examination of Tom Stoppard’s Arcadia„
- Bernhard REITZ: „Beyond Newton’s Universe: Science and Art in Tom Stoppard’s Arcadia„
- Hans-Ulrich MOHR: „David Mamet’s Oleanna: The Hazards of Social Construction“
- Karl GROSS: „‚Games People Play‘: Illusion and Reality in David Rabe’s Streamers„
- Christiane BIMBERG: „Reality and Its Distortion in the Plays of Sam Shepard“