Bernhard Reitz and Alyce von Rothkirch, eds.
Crossing Borders – Intercultural Drama and Theatre at the Turn of the Millennium
Trier: Wissenschaftlicher Verlag Trier, 2001.
ISBN 3-88476-464-0, 202 pp., EUR 20,50
The volume contains the 16 papers given at the ninth CDE conference in Bad Alexandersbad (University of Bayreuth) in 2000.
- Bernhard Reitz and Alyce von Rothkirch: Crossing Borders: The 9th CDE Annual Conference at Bad Alexandersbad, November 2-5, 2000
- Jane Turner: The ‚Third‘ Spectator
- Angelika E. C. Keil: Postcolonial Identities: a Plurality of Experiences
- Stephanie Kramer: Postcolonial Experience and Intercultural Communication in Hanif Kureishi’s Borderline (1981) and Ayub Khan-Din’s East is East (1996)
- Mark Berninger: The Absence of the Intercultural? – The History of Anglo-Indian Relations in Ayub Khan-Din’s Last Dance at Dum Dum and Tom Stoppard’s Indian Ink
- Christiane Schlote: Satire and Sociology: The Performing Powers of Meera Syal and Anna Deavere Smith
- Nüvid Mortan: Creating a Multicultural Space in Theatre: Bahar Noktasi – Can Yücel’s Creative Translation of A Midsummer Night’s Dream
- Edith Hallberg: Shakespeare’s Macbeth Crossing Borders: Violence and Reconciliation in Welcome Msomi’s Umabatha
- Heiko Stahl: „I won’t answer to the name Caliban“ – Négritude and the Master Narrative in Aimé Césaire’s A Tempest
- Beate Neumeier: Towards an Intercultural Theatre? Variations on Shakespeare’s The Tempest
- Ulrike Hattemer: Reading and Rewriting Shakespeare – the Anglo-Jewish Take on the Bard
- José Ramón Prado Pérez: Interculturalism, Subversion and the Quest for Identity in Chicano Theatre
- Alyce von Rothkirch: A Welsh National Theatre? Welsh Drama in English before the Second World War
- Anette Pankratz: Greek to Us? Appropriations of Myths in Contemporary British and Irish Drama
- Stefanie Brusberg-Kiermeier: Re-writing Seneca: Sarah Kane’s Phaedra’s Love
- Heiner Zimmermann: Theatrical Transgression in Totalitarian and Democratic Societies: Shakespeare as a Trojan Horse and the Scandal of Sarah Kane
- Stuart Marlow: Pushing at the Limits of Representation: South African and Northern Irish Challenges to Accepted Notions of Dramatic Discourse